Journalist and author Kathryn Schulz recently wrote in New York Magazine about her experiences using Twitter. Although she recognizes that Twitter has had some negative impacts on her own writing habits, she takes issue with novelist Jonathan Franzen’s anti-Twitter jeremiad:
“One other thing to which Franzen is interestingly blind: Whatever else Twitter is, it’s a literary form, which goes some way toward explaining why I find it so seductive. A tweet is basically a genre in which you try to say an informative thing in an interesting way while abiding by its constraint (those famous 140 characters) and making use of its curious argot (@, RT, MT, HT). For people who love that kind of challenge — and it’s easy to see why writers might be overrepresented among them — Twitter has the same allure as gaming. It is, essentially, Sentences With Friends.” (Source)
Can you think of other instances in which constraints on the form of a text (e.g., the limitation of only using 140 characters) are tied to a genre’s use of a specific medium or platform?
(Thanks to Anna for suggesting this link)